CURATION

Curatorial Collective, Counterpublic Triennial, Coyote Time, St. Louis, MO, September 2026.

Member of curatorial team alongside Stefanie Hessler (Swiss Institute), Jordan Carter (DIA Foundation), Raphael Fonseca (Denver Art Museum). Commissioning new works by Ryan Trecartin and Lizzie Fitch, Alice Bucknell, Won Ju Lim, Alan Nakagawa, Inès Kivimäki, for one of the largest public art exhibitions in the U.S. 

Co-Curator, Biennale de l’Image en Mouvement: A Cosmic Movie Camera, Centre d’Art Contemporain Genève, Geneva, Switzerland, January to May 2024. 

Co-curated, with Andrea Bellini, the highest-attended edition in the Biennale’s history. Commissioned and produced fifteen new film works by international artists including Basel Abbas & Ruanne Abou-Rahme, American Artist, Lawrence Lek, Danielle Brathwaite-Shirley, Diego Marcon, Lauren Lee McCarthy, and Jenna Sutela. Developed curatorial framework examining relationships between cosmic perspectives and technological vision. Coordinated with international institutions, managed production logistics across multiple countries.

Featured prominently in A Camera Tracks to Infinity in Mousse by Alice Bucknell, and reviewed widely, internationally, and favorably. 

Curator of Manual Override at The Shed, New York, NY, 2019-2020.

Conceived and executed major group exhibition examining artists’ critical engagement with emerging technologies during The Shed’s inaugural programming. Commissioned new works by Sondra Perry, Morehshin Allahyari, and Lynn Hershman Leeson along with works by Simon Fujiwara and Martine Syms, exploring AI, machine vision, and algorithmic systems. Managed cross-functional teams including technologists, fabricators, and museum staff and trained 70+ attendants. Drew 30,000 visitors in two months.

Coverage in Vogue, the New York Times, a beautiful review of the exhibition by critic Aruna D’Souza in 4Columns, and the Wall Street Journal.

Co-Curator, AI Anarchies, Akademie der Kunste, Berlin, 2021 

With Maya Indira Ganesh, created AI Anarchies: Experiments in Study, Collective Learning and Unlearning, a school, a conference, and a gathering over a week in Berlin at Akademie der Künste around the concept of an ‘anarchic AI.’ Speakers included Hito Steyerl, Heba Amin, Laura Forlano, Jackie Wang, Johanna Hedva, and gathered fellows for seven days of debate and workshops. 

Additional Curatorial Projects:

2021 Experimental Models, hosted by Foundation.app.

2018 Identity, A Salon at the Current Museum of Art, New York, NY. Curated works by Snow Yunxue Fu, Jakob Kudsk Steensen, Jacolby Satterwhite, Hyphen-Labs, Meriem Bennani, Ryan Kuo, Tabita Rezaire, and Ann Hirsch, launched with discussion between Pastiche Lumumba and Yasaman Sheri.

2017-2018. In Conversation, Eyebeam. Opening: In Conversation: Michael Connor, Kenric McDowell, and Nora Khan, on how technology can engineer environments and communities in which radical conceptual shifts are made possible. In the second, In Conversation: Paul Soulellis and Allison Parrish, Sam Hart joined me to discuss procedural writing and narrative, the poetic potential of programming languages, and the relationship between digital publishing and bots, with Soulellis and Parrish.

2017 Trust and Believe, Eyebeam, New York, NY. Trust and Believe was a symposium of performances, readings, and conversations bringing together artists, poets, programmers, and designers to investigate emerging AI through the lens of conversational and narrative design. Through discussions, short talks, poetry readings, and a bot-making workshop demo, attendees were invited to consider how we are shaped by AI conversation and conversationalists, and highly-engineered and procedural digital language.

2016 Together in Electric Dreams at Open Score, New Museum, New York, NY. Produced and moderated anchor session on the present and future of artificial intelligence within Open Score, an art and technology symposium. Panelists included Sondra Perry, Ian Cheng, Katherine Cross, and Patricia Reed.

2016. Quiet Strategies for Survival, collection of pieces I curated for Harm van den Dorpel’s Left Gallery, featuring the works of Ryan Kuo, Alexis Anais Avedisian, and shawné michaelain holloway.

2016 California Imaginary, Industry Lab, Cambridge, MA. Group show investigating role California plays in our cultural imaginary. Featuring artists Yoko Honda (Japan), Jaakko Pallasvuo and MSL (Finland), Marguerite Kalhor (CA), Ryan Kuo (MA), Matt Legrand (MA), Jennifer Remenchik (CA), Hirad Sab (Iran), Mark Sabb (CA), Alec Sturgis (NC), and Anna Zett (Germany).